Inspired by her recent visit to the Phillips Collection in Washington D.C., Izabella Main reflects on the role of art in depicting and narrating experiences of forced migration.
Izabella Main, Adam Mickiewicz University, Poznań
The ‘refugee crisis’ has not been invisible in the art world. At the 2019 Venice Biennale, the Swiss artist, Christoph Büchel, exhibited an actual deathtrap vessel in which hundreds of migrants drowned. He called his artistic expression of the tragedy Barca Nostra. He described the vessel as “a relic of a human tragedy but also a monument to contemporary migration, engaging real and symbolic borders and the (im)possibility of freedom of movement of information and people.” The relic underscores “our mutual responsibility representing the collective policies and politics that create such wrecks,” he added.